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future-scape locales to life with newfound definition, sharpness, and assuredness, even in dark where much of the middle stretch action takes place. In making this point, Running Man doesn’t try to hide the absurdity. The result is a culturally relevant campy icon, whose villains dress in Christmas lights, and a crowd eagerly awaits a slaughter. The show itself doesn’t make much sense – what happens if the runner is killed in the first stage during a three hour broadcast? No one cares though, certainly not viewers who treat death with such casualness, they happily celebrate their wins at the gambling tables, dead people be damned. It’s hilariously craven behavior, forever captured on film. Tim has delivered a look at Joel Schumacher’s Flatliners (1990) in 4K UHD from Arrow Video, as well as John Carpenter’s Escape from New York (1981) in 4K from Scream Factory.
Dolby Vision brings some added splendor, raising the color to give primaries renewed life. Once into The Running Man itself, wild uniforms/costumes sport spectacular vibrancy. Every color jumps from the frame. Flesh tones hold a naturally vivid hue.
Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge. despite the fact that they are surrounded by fencing and barbed wire, a nice little commentary on the public mentality depicted in the film. A dark red
Paramount has released the 1987 Arnold Schwarzenegger Action vehicle 'The Running Man' to the UHD format. This featureless disc includes new
Scores
There’s a small sub-genre concerning brutal futuristic game shows. Rollerball was king before Running Man, and videogames found their genre champion in Smash TV. That lust to see people win something, mentally placing yourself on that stage and pretending to be one of them, is almost instinctual in its allure. Add in actual murder to a depraved society, and yes, The Running Man could be the world’s highest rated TV show.